St. Gobnait


St. Gobnait was an Irish abbess of the sixth century. She founded her abbey on a spot revealed to her by the miraculous presence of nine white deer. She is the patron saint of beekeeping; the bees keps by her nuns once saved the abbey by attacking a band of marauders. I included nine white deer, four honeybees and a hive in this drawing.

I drew mostly in the style of early medieval Gospel manuscripts from Ireland. I also borrowed some details from Harry Clarke’s depictons of this saint. The idea of placing the cats within the capital letter I got from Kuniyoshi, who used cats to spell out words in a series of prints.

Visit this web page to read my full description of this drawing. A giclée print of it can be purchased there for $20.

Veneration of the Cross


This drawing was inspired by a passage from The Vision of Piers Plowman, an alliterative Middle English poem attributed to William Langland:

Arise and go reuerense Godes resureccioun,
And crepe to þe croes on knees and kusse hit for a iewel
And rihtfollokest a relyk, noon richore on erthe.
For Godes blessed body hit baer for oure bote.
And hit afereth þe fende, for such is þe myhte
May no grisly goest glyde þer hit shaddeweth!

In the central image, I illustrated the liturgical rite of the Creeping of the Cross. In Medieval England, there were two occasions for this rite, one during the Mass of the Presanctified on Good Friday and one on the morning of Easter, after the crucifix had been disinterred from the Easter Sepulcher. It is to this latter occasion (the celebration of God’s resurrection) that Langland refers.

The apotropaic power of the Cross mentioned in the text is represented in the outer border. A horde of frightened fiends flee from it; these take obvious inspiration from medieval manuscript drolleries and the paintings of Hieronymus Bosch. I prefer this type of demon, compounded of disparate and nonsensical elements, as it illustrates the idea of evil being unreasonable and chaotic, and injurious to the ordered hierarchy proper to God’s creation.


Visit this web page to read my full description of this drawing. A giclée print of it can be purchased there for $77.

St. Christopher


This is a large ink drawing on Japanese paper. Its composition is traditional, but the style of drawing is heavily influenced by Utagawa Kuniyoshi’s woodblock prints. The Latin inscription is from the last chapter of the Gospel of Matthew: All power is given to me in heaven and in earth. The text resonates especially well with a passage from the life of St. Christopher related in the Golden Legend:
Setting the Child down he said to him: My boy, you put me in great danger, and you weighed so much that if I had the whole world on my back I could not have felt a heavier burden! The Child answered: Do not be surprised, Christopher! You were not only carrying the whole world, you had Him who created the world upon your shoulders!
I wanted the image to convey this weight bearing down upon the saint, and this determined much of the surrounding imagery, which represents all of Creation, according to day.


 Visit this web page to read my full description of this drawing. A giclée print of it can be purchased there for $144.


Gilbert Magazine's annual Film Festival

Once again we are asking for help with the illustrations of the Film Festival.

In honor of the Year of Mercy the movies reviewed have the theme of mercy (as a main or secondary theme.)

If you are interested in submitting a drawing please email me using the link on the sidebar of this site. Deadline for final artwork is May 12th.

The movies we are reviewing are:

The Quiet Man
The Window

3 versions of Les Misérables
Hotel Rwanda
The Judge
War Horse


Apologetic Graphic Design

I have had an idea for over a year now of doing collage-style design with Scripture verses that point to certain articles of the Faith for the purpose of apologetics and teaching the Faith using modern design in our very visual culture. I finally started this yesterday; I'm not sure if it's done yet, as it may be a work in progress, but this is on the Eucharist. It has different Scripture verses from the Old and New Testaments that refer to the Blessed Sacrament. I have no idea if these will ever become posters, works of art, or probably just sit on my computer until it crashes. I would like to do these by hand in calligraphy, but that would take long time, time I don't currently have, so I have to settle for Photoshop at this time. I may do one on the Blessed Mother next. -Jason Tako www.JasonTako.com


At the Library

NOW on DISPLAY April-May, in front of the Children's section in the Main library, San Francisco, CA.  Spotlight on my children's book on churches! 


The Risen Christ Consoling His Mother

  March, 2016
  Materials: Ink, pencil, crayon, acrylic &
  gold leaf on eucalyptus bark.

  Giclée prints are available at: 


Our Lady of Fatima part 5

Here's my next installation in the series. I must admit I was a little nervous drawing The Blessed Mother this time. Wouldn't want to mess up drawing the mother of God.
 photo olf15.jpg  photo olf16.jpg  photo olf17.jpg  photo olf18.jpg  photo olf19.jpg

To be continued...


Doctors of the Church

Recent work:
St. Therese of Lisieux
9x11" gouache on paper

St. Catherine of Siena
9x11" gouache on paper

St. Teresa of Avila
9x11" gouache on paper


Sylvester's Vision of St. Francis

Acrylic, and gold leaf on paper. 2010
Artwork: 8" x 10", matted in a 12" x 15" wood frame.
Now available on Etsy:

From The Little Flowers of St. Francis
Now a certain man whose name was Messer Sylvester, when he saw that St. Francis gave and caused to be given so much money to the poor, was moved by avarice and said: "Thou didst not pay me in full for those stones which thou boughtest of me to repair the church; wherefore, now that thou hast money, pay me". Then St. Francis, marvelling at his avarice and not wishing to contend with him, as a true follower of the Holy Gospel, put his hands into the bosom of Messer Bernard and, having filled them with money, put them into the bosom of Messer Sylvester, saying that if he wanted more he would give him more. Messer Sylvester, being content with that which he had received, departed and went to his house; and in the evening bethinking him of that which he had done during the day, and considering the zeal of Messer Bernard and the sanctity of St. Francis, he repented him of his avarice; and on the night thereafter and on the two following nights, he had a vision from God, wherein he beheld how from the mouth of St. Francis issued a cross of gold, the top whereof reached to heaven, and the arms whereof extended from the East even unto the West. By reason of this vision he gave away all that he had for love of God and became a minor friar; and he was of such holiness and grace in the Order, that he spake with God even as one friend speaketh with another, according as St. Francis many times approved, and as shall be hereinafter set forth.


King Leonidas

This is a piece i did on King Leonidas, i will have it up on my store soon.
Let me know what you guys think?


This is my body...

Hello fellow illustrators! I used to post on here a bit years ago, but sadly haven't been doing much drawing lately. I've decided it was time to try and change that, so getting back into sketching some rough pieces, and working out a style for some upcoming projects I hope to start. Thanks for all of your inspiration, there are so many great pieces of work published here to this blog, and I'm motivated by your faith! Cheers for now!


Here is one of my latest illustrations from my Angelic Twaddle Comic series, Christ's Second Coming. I was able to create 8 new comics over Christmas break; life has been busy but rich as my kids mature and my day-job remains intense. The comic series is aimed at very subtly introducing young and nominal Catholics to the framework, traditions and saints of our Church. Who can resist looking at a dumb comic or two?

Toxic Pigment Replacements

Dear Catholic Illustrators,
Many of us, particularly iconographers working with homemade egg tempera, have encountered pigment recipes containing very toxic pigments. Some of us ladies who are pregnant, nursing, or with little children cannot risk using these toxic pigments, beautiful and exquisite though they are. Over the past few years, I have come up with some replacement pigments, along with where to find them. Please note that the replacement pigments do not have the same properties as the toxic ones, and sometimes are heavier and require more grinding. Once the pigment is mixed, you may need to let the mixed pigments settle for the duration of, say, one Hail Mary, then remove the surface color to a separate well, leaving behind the heavier sediment. See substitutions below.

Bristol Yellow, contains Lead. Substitute with Bristol Yellow Lead Free, from Kremer Pigments.
Naples Yellow, contains Lead Antimoniate. Substitute with Zinc White + Gold Ochre, from Sinopia Pigments.
Indian Yellow, contains Lead Antimoniate. Substitute wih Indian Yellow Imitation, from Kremer Pigments.
Orpiment, contains Arsenic Sulfide. Substitute with Lemon Ochre + Indian Yellow Imitation, from Rublev Colours and Kremer Pigments.
Tin Lead Yellow, contains Lead Oxide. Substitute with Lead Free Bristol Yellow + Zinc White, from Kremer Pigments and Sinopia Pigments.
Lead (Flake) White, contains Lead Carbonate. Substitute with Zinc White, from Sinopia Pigments.
Cinnabar, contains Mercury. Substitute with Primary Red Cinnabar, from Earth Pigments.
Lead Red, contains Lead Oxide. Substitute with Primary Red Cinnabar + Ercolano Orange, from Earth Pigments.
Vermillion, contains Mercury. Substitute with Primary Red Cinnabar, from Earth Pigments.
Alizarine Crimson, contains Mercuric Sulfide. Substitute with Carmine Naccarat, from Kremer Pigments.
Pink Color, contains Lead. Substitute with Pink Pipestone, from Rublev Colours.
Pink Color Deep, contains Lead. Substitute with Potter’s Pink, from Rublev Colours.
Dioptase, Malachite, contains Copper. Substitute with Turquiose Green, from Earth Pigments.

Happy painting!